![]() They were designed to be wired Sat to sub or sub to sat or both coming off the main L/R terminal on the amp in parallel Although NEVER published by CSW the crossover point is in the range of about 140hz High pass on the sat, and low pass on the woofer. The woofers were made in house and had a heat sink on the voice coil of the woofers.Įarly satellites no switches for high mid contour but shortly after they were added just around the time when the woofer lost the it's propeller heatsink. during that time the speakers came with 100ft of 18g speaker wire, wire cutter/strippers and multiple sets of rubber feet. There was a $50-$100 variance depending on the finish on the woofers. The first was a formica type laminate woofer version and a vinyl clad woofer. There were roughly 5-6 different variations of the original 4 piece Ensemble system Some corrections that should be noted as I read them in this thread. I've also driven them with an NAD C350, Kenwood KA-601, Onkyo A-7070, SANSUI G-5500, and Onkyo TX-2500 II, all rated in the 45-70 wpc range, and results were excellent. This is with a Sherwood AD-260B rated at 105 wpc. ![]() With MC100 satellites, I set the bass tone control on my amp at 1 hash mark below flat and the sound is quite pleasing. The ADS are 4 ohm to boot so especially should be avoided. Speakers like Minimus-7 and ADS L200 lack high pass filters and can result in damage to your amp. The CSW MC105 are similar to the MC100 (newer version of the MC100), but have their high pass at 102 Hz, which is not a recommended pairing with the ensemble woofs. It is important that the sats have a high pass filter above this frequency as otherwise the combined speakers may present an impedance to the amp of less than 4 ohms due to the parallel connection (if the sats are 8 ohms or less). One word of caution: the woofers present a 6 ohm impedance and have a low pass filter at 120 Hz. For each stereo channel, I run a wire from the amp to the woofer binding post and a wire from the sat with a banana connector to the woofer to attach. The woofer terminals can take 2 wire leads- a wire that is threaded into the binding post, and a banana connector. Woofers and sats should be wired in parallel on a single set of amp outputs. The original woofers have a little better build quality with a Formica covering on the enclosures. There are small differences between the original and new version woofers with the new having some flares on the cones to improve dispersion, but I couldn't hear any difference. The newer version satellites have 2 switches on the back to do 3db cuts and boosts of the high and midranges, but I always set them flat so the original sats are not at a disadvantage, and in any case the CSW MC100 is in my view superior with these woofers. There were two versions of the ensemble- I've owned both. The sound is quite good.Ī cotton swab and rubbing alcohol will take the sticky coating off the ensemble sats. The woofers can be hidden along a wall leaving listeners scratching their head wondering where the speakers are. The pairing of the MC100's to the ensemble woofers produces an amazing system. These have a high pass filter at 198Hz and are less efficient than the ensemble sats. As a result, many CSW ensemble satellites find their way into HT setups or mated to powered subwoofers and the woofers find their way to goodwill, where they often go for $20/pair.Ī more interesting solution is to match the ensemble woofers to CSW MC100 satellites. The ensemble satellites supplied with the system are excellent, but they are more efficient than the woofers leading many listeners to think the woofers don't produce much bass.
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